Djamileh, Bizet’s first mature opera, came right before Carmen. Its music is rich, sensual and beautifully orchestrated, totally worth the listening.

Djamileh, Bizet’s first mature opera, came right before Carmen. Its music is rich, sensual and beautifully orchestrated, totally worth the listening.
The conceptual opera “Audioguide III” ends with the disruption of 66 violins. Does this serve the kantian philosophical underground of the work?
The great dramatic tenor James McCray offers his thoughts on some misunderstandings in the modern way of training the voice.
Why compose an opera based on the life of Camille Claudel? I have been asked this question more than once. The answer,...
What is the value of music education? In a previous post I mentioned the fact that art in general and music in...
I recently experienced something that seems to be quite common in today’s concert halls: the annoying kid that will...
As I’ve mentioned in this post, I do believe that from the point of view of providing a 360 education, people from the...
In 2011, I was for the first time in Bayreuth and had the good fortune to attend their new production of...
Why is contemporary music so frightening to audiences and artists? Why do people have hesitations (to be polite...) in...
A FREE video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. A new episode every week!